Two ‘Othellos’ built around their Iagos

By Peter Marks,October 25, 2011
(Page 2 of 2)

Synetic takes a more abstract route, as set and costume designer Anastasia R. Simes bedecks her Crystal City stage with scenic pieces shaped like wedges — references to the triangles of the play: paranoid Othello’s imagined menage, the idea of Iago as three personalities in one.

The most memorable image in either production, however, is a single moment of illumination: the face of Folger’s Peakes, outlined in a beam of light, the features fixed in a sick smile. It’s the look of depraved triumph, mirrored in the eyes of a detestable character and a smashing actor.

Othello

by William Shakespeare, directed by Robert Richmond. Sets, Tony Cisek; costumes, William Ivey Long; original music, Anthony Cochrane; sound, Matthew M. Nielson; lighting, Andrew F. Griffin; fight choreography, Casey Dean Kaleba. With Todd Scofield, Chris Genebach, Jeff Allin. About 2 hours 40 minutes. Through Dec. 4 at Folger Theatre, 201 East Capitol St. SE. Visit www.folger.edu or call 202-544-7077.

Othello

by William Shakespeare, directed by Paata Tsikurishvili. Adapted by Paata Tsikurishvili and Nathan Weinberger. Choreography, Irina Tsikurishvili; sets and costumes, Anastasia R. Simes; lighting, Andrew F. Griffin; original music, Konstantine Lortkipanidze; sound, Irakli Kavsadze. With Scott Brown, Vato Tsikurishvili, Ira Koval, Sarah Taurchini, Peter Pereyra, Hector Reynoso. About 90 minutes. Through Nov. 6 at Synetic Theater at Crystal City, 1800 S. Bell St., Arlington. Visit www.synetictheater.org or call 800-494-8497.

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